Doris Kloster's self portraits were exhibited at Beijing Museum of Contemporary art in an exhibit titled Link and Connection Future. The Chinese officials censored one of her works as too political and it was removed from the exhibit before the opening. In place of this work titled China Pink, a drawing of Kloster by artist Qin Feng was put to cover the spot where the original hung.

"Consider Them as They Stand"
Excerpt from the exhibition essay by Qin Feng

For two cups of transparent water, it is impossible to tell which one contains sugar and which one carries salt. However, when two or more cultures are mixed, you can clearly feel the ray of mergence and the delight of interaction. The international art invitatory exhibition, Link and Connection, will realize this scene.

France, famous for its romance and unique in its wits, has a culture glutted with elegant tease. Valiantly focusing her angle of view on herself and using herself as the fundamental embodiment, Doris Kloster interprets nationalism against a multicultural background and humorously cautions the expansion of strong cultures. She integrates and echoes the embarrassing situation of traditional culture in a fast mutating municipal culture with surrealistic instruments. Her works reproduce and amplify post nationalism like a mirror.